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Click for details	Beautiful Decay X. 84 pages, 100% color- With the release of Issue X, Beautiful/Decay is proud to unveil a new direction in the creative content of the magazine. Over the years, the magazine has touched upon a divergent array of topics, united by a consistent commitment to showcasing only the most innovative talents. The publication will reenergize its dedication to the creative community by expanding its selection of international art and design, while still maintaining its characteristically fresh and informative approach. Beginning with Issue X and continuing into upcoming issues, readers will see expanded in-depth features, including even more comprehensive artist interviews, current show reviews, and a wider selection of gallery reviews on both a national and international level. For this issue, Beautiful/Decay is proud to include an even broader range of emerging and established talents. The issue is loosely curated around an investigation into phenomenological representations of reality, and the myriad ways in which it may be fabricated, duplicated, or parodied through the artistic process. Our artists both pay homage to and contest the strategies of Western mimetic representation, historically rooted in a more scientific and technological filtering of the external world. The artists included in this issue work within these parameters, yet re-inject this exhausted exploration with unexpected approaches, whether the inclusion of dream imagery, kitsch, irony, distortion, or unusual combinations of formal qualities. Featured in this issue: Scott Anderson, Michael Swaney, Barnaby Whitfield and many others.
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Click for details	Beautiful Decay Y. 84 pages, 100% color- Beautiful/Decay is excited to present Issue Y, specially timed to coincide with, and to celebrate, the sheer explosion of creative activity surrounding the Miami art fairs. With that in mind, we are spotlighting a great selection of talents deserving attention as we move towards the exciting, and at times overwhelming, art fair season. The features within this issue are roughly united through the artists’ idiosyncratic explorations of humor and irony within a postmodern dialogue. Whether this manifests in the works’ formal qualities or in their underlying conceptual frameworks, Issue Y demonstrates the multitudinous potentials for play, sarcasm, and wit within contemporary practices. Kevin Francis Gray presents his mischievously macabre sculptural riffs on classical busts and mortuary effigies, while David Hevel discusses the inspiration behind his Baroquely maximalist glam rock craft-embellished taxidermy. Colin Chillag divulges the creative process behind his Hieronymus Bosch-meets-Where’s Waldo? compositions that playfully attempt to systematize esoteric concepts through ironically facetious information systems. Sacred Mtn. creator Scott Barry works in a similar fashion, updating the freewheeling retro-kitsch imagery, clean lines, and pop sensibility of the 60’s and 70’s. Lilly McElroy and Laurel Nakadate create outlandish performances that unwittingly solicit the participation of strangers as auxiliary characters, resulting in surprising scenarios that complicate traditional gender roles and sex. Olaf Breuning showcases a specially created photo essay of his purposefully preposterous tableaux vivants that instill absurd ideas with explorations into artifice and authenticity, reality and illusion.
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