You'll be hyped at how solid it is. And just feeling the subtle quality of it.
If I were you I'd get the 35/1.2 over the 50/1.1 but thats up to you in the end.
For a 50 I'd wait until you can afford a 1st or 2nd model Summilux... I got one together with an M4 a while ago and it ended up being a steal.
Nothing I've bought has looked like the summilux does wide open. It's amazing.
the sharpness of whats in focus together with the swirly bokeh. Wow as.