diggin the 2nd one, lakim
a lot of that shit is good though. I have been doing it because i have been snowed in and on the nice days, i work till 10 at night
It's all about the fishing wire... then stamp tool it out later in PS.
No home studio, so i just pen tooled my heart out..
not great photography; figured i'd share since we're kind of on the topic...
plus i think im in love with these funk-mobiles
that must get you some pussy
anyway, i always ignored this but im really itching about it now:
Enhanced iFCL 63-zone, Dual-layer metering system; and 9-point AF system utilizing a high-precision, f/2.8 cross-type center point.
what does the f stop have to do with the AF point?
I'm not 100% on this, but I think the 2.8 cross type points are higher sensitivity and need more light to work properly?
That's what I gather from reading about it, but could be wrong.
LAST WEEK. LUSH.
TILL I DIE
PHOTO TAKEN ON MY GIRLS FUJI INSTAX CAMERA I BOUGHT HER FOR XMAS.
that mt dew really kills the first pic for me
but dat summilux bokeh sure is awesome. it's so swirly
Nay all those photos are from my new 35 1.4 nokton classic...
Flicking the 35 1.2. The 1.4 does just fine in half the size.
well you fooled me. did you do any sharpening in p/p?
#6 is that swirly bokeh I'm talking about. I'm hoping that the 1.1 is swirly too. I gotta get my shit together, I have all my c41 chemicals but I need to get some containers and mix them up. Trying out the zeiss and nokton on some portra 160nc.
that freakin 35/1.4 looks smaller then my zeiss 35/2 wtf
Yeah it's tiny which is why I really like it.
I'm starting my darkroom quest. Durning my ensuite into a pitch black room to develop films.
Enlargers will come next.
you only need pitch blackness for loading the film, the rest can be done in moderate light (incandescent only, NO FLUORESCENT!!!)
You're going to be hooked mate, you might not ever want to go back to the lab
Yeah once I've set it up I'm kissing colour goodbye. At least for a while.