Blackbooks

[Shit Outta Luck]

Dank when I saw that HIGH simple I immediately thought of Stay High 149 lol

[dankbudz]

haha dope

inside cover of the book, just messed around with some paint markers, my S is hurting, if you got crits id appreciate that shit

[MN Nice]

The outer leg of your R is a bit thin. Your tag is lookin nice though.

[Hick94]

quick sketch playing around with new markers any critiques..?

[Tempo718]

I kno it not much

[orca250]

Crits Please.

[Hick94]

orca for the first sketch try not to force the connections it looks wrong....btw your o looks a v aswell

[orca250]

orca for the first sketch try not to force the connections it looks wrong....btw your o looks a v aswell

Do you mean not to overlap so much? And would my o be less v like if I got rid of the overlapping ends of bars at the top?

[Coleo]

HELPFUL crits please!

[MN Nice]

I'd say stop drawing on trains and start making full letters.

[gemer]

[BennyBoii]

@MN Nice-I like the top one,has a nice flow. But the bottom, not feeling the loops and the colours are not working for me

[gemer]

@neso sweet black book
@naked nice page keep em comin not diggen the colors either tho but there gettin better

[aids.too]

@gemer im not feel in the arrows but your hand styles fresh
@MN Nice I'm feel in it just not the blues
@neso i agree quit coloring trains no offence i did like the orange one though

[MN Nice]

@neso sweet black book
@naked nice page keep em comin not diggen the colors either tho but there gettin better

Was that meant for me? Because that was just an exchange with Naked, not what I write.

[gemer]

ha yea for you^ my bad

[C-SONE]

crits please, need a fair bit of improvement still

[BennyBoii]

crits?

[C-SONE]

Crits, feel your letters more. Give them emotion, give them limbs. Think of them as people. Come up with a backstory, a family and medical history. n occupation. Did your letters grow up in a nice sensible suburb? Do they work in a car wash? Do they live on the streets? Think bout your letters mood and responsibilities within the set. Are they proppng up, pulling over or tangling with other letters. With their limbs make that important. Don't think of the outside, think of the underneath. The physical structure of the thing.

For instance, if you were to draw a person would you just draw the outside and hope it turns out all right? of course not. Start with the bone structure, work out how the limbs are supposed to relate and move with each other. Flow correctly instead of unnaturally. The same applies to letters. You can't have their bones and internal organs all mooshed up funny, they will just end up looking awkward and end up with health complications. Like a Pug dog, or a Person with bone-itis.

[Phat 2]

Crits, feel your letters more. Give them emotion, give them limbs. Think of them as people. Come up with a backstory, a family and medical history. n occupation. Did your letters grow up in a nice sensible suburb? Do they work in a car wash? Do they live on the streets? Think bout your letters mood and responsibilities within the set. Are they proppng up, pulling over or tangling with other letters. With their limbs make that important. Don't think of the outside, think of the underneath. The physical structure of the thing..

o...kay ?