working on letters is the main goal for all of us, but working on fills can actually help u. I have some old drawings were u can see all the lines from the marker in the fill and then its lighter on one side and darker on the other, so if u work with makers a lot ur pieces wont look like that.
yeah i know what you mean, but i dont intent on painting a piece for a long time, until i can sketch them black and white with ease, heres some more straights
Picture 173 by Stewart Stevenson, on Flickr
Picture 174 by Stewart Stevenson, on Flickr
tight as fuck^
thanks holmes
I can't read it Crush...
I am going way simple after the car crash I produced yesterday...
![]()
| Liquid + Brick |
ya it reads shake man my handstyles are my weakest yet strongest point i do my pieces in handstyle form before pieceing but hands for taggin are garbage because i cant do the same tribal letters fast enough.
exchange with slaer
![]()
dopee style mann ^^ good stuff
no worries phil you said you wanted some practice.
Anyone like my Simp? Any crits / advice?
| Liquid + Brick |
allways - i feel i should be doin wat ur doin building structure through a more complex handstyle i've heard its critical in development around here but i dont know when is the right time to open that can of worms.
I smoke Vega
Wonky - the leg of the Q is a bit fat and the extensions coming off each letter are kinda weird,but other then that it looks good, keep doing simps like that
Tried this again - better?
![]()
| Liquid + Brick |
Cheers - I don[t really need to add that stupid shit but i'm trying - actually the blocky letters are kind of interesting - they would be if I could add some slant and flow...
![]()
| Liquid + Brick |
thought id try one more sketch, keeping letterforms nice and simple, took some advice (thanks crushing) and did something a bit more rounded and organic...
![]()
| Liquid + Brick |
Bookmarks