^ you put a throwie type S on with straight letters. Go simpler on that I, I dont wanna see any extensions from you until your straight letters are clean. SO that means extension on top of S, extension on top of C, and extension on bottom of I should go for now. Your E is the best looking letter on there, Poise your letters like like that. Your B and S are the worst letters, you need to structurally figure out how to draw a B, and an R, cause their almost the same letter... For the B, the two curved bars need to overlap once they get to the vertical bar ya digg? questions?
^ nope thats wicked advice dude, i honestly didnt really understand the simple till i looked a little deeper in the thread, so are the ones you did considered simples too? even though they have extensions or is that not what your going for there, either way thanks for the crits, the next simple will be....simpler
The one in the middle aint really a simple when it comes to style, but when it comes to execution I consider it a simple cause I didnt do any funky coloring or cool 3d or background. A simple to me is something with easy to read letters and no effects or backgrounds. Dont confuse a simp with a straight letter. Straight letters are just that, straight font lettering. And thats what you should try and focus on, straight letters and handies. When you move to paint a well layed out straight goes a long way compared to a shitty styled piece...
gotcha, today ill try and do a simp an a straight to try to differentiate the two, thanks again for the good advice boss
IMO a capital F would work better here. Nice work dude. The first "Reach" you posted after my would be challange the R and E look damn good. and the R you where complaining about isn't bad, maybe make the top part of the loop a little bigger. As it is now it gives the top of the word a nice flow.
I like that A too, but maybe to keep the styling of your letters, you could throw a slight kink in the right leg of it and drop the extension on the left leg so it can fit. Just an idea.
^ I like me too @niceguymn If the C was a little larger and level with the rest, The A being straight would balance everything out... Or at least to my eyes.
thicken the thin bar on the Y, its off balanced. make it flow upwards into the spine of it like the Y in your tag. make your tag S the S you use, that one isnt fresh and its blocky and completely imbalanced. have the kick of your N flow up from that bottom and come down. as the top half of your Y comes down and smoothly curves up, do that with your N.