Motivated by the aesthetics and design of the calligraphy, Mes3, like many graffiti artists in the city of São Paulo, began his career through graffiti. His magazines came through hip hop, firsts and videotapes, mostly from abroad,
something that influenced his. With other works of relationship, understood, as a work whose lyrics are understood, which is in the connection between the artist and his work of vices, a dynamic and daring life to understand the connection between the artist and his defined work . Aware that evolution is constant, he believes that his last chart will always be the best. With elements that are full of movement, such as arrows, arrows and cut stars, its letters are repeated and have a stroke full of movement, a loose design that interacts with the space that is inserted. A communication between the support, in this case the wall and the artist’s hands, for this reason Mes3 does not use sketch, and his work has this aspect of translating the effervescence of the city. The essence of what most graffiti is specifically about is letters, and it is not an obstacle and the essence, to do or not to be different, for a wall that graffiti and easy to be, is not an obstacle and the essence, to do or not to be different for a wall that your own graffiti, to do or not to be what is different for a wall that your graffiti is to do, that is, not to be different for a wall that your graffiti is to
do, to do that is, not to be different for a wall that graffiti of yours, do that is, don’t be, please gray, Same3 cores and traits, a discipline and dedication. This one with the lime solidifies, resulting in a work that provokes and dialogues with
those who cross it.
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